Perilouse Trap

Artistic Vision

My artistic journey is driven by a deep fascination with light, atmosphere, and the emotional resonance of the sublime. Rather than consciously emulating any particular artist, my work naturally aligns with the visionary spirit of J.M.W. Turner, not as a direct influence, but as a parallel pursuit of transcending the boundaries of form and perception.

Through my art, I seek to dissolve the weight of the material world, capturing the fleeting, ethereal beauty that exists between reality and imagination. Each piece is an invitation to explore a realm of wonder—where light moves freely, space breathes, and the boundaries of time and form blur into a luminous, atmospheric experience.

While my work resonates with the emotional and atmospheric sensibilities of past masters, it is fundamentally a modern exploration of the sublime, reflecting the artistic shift from the grounded structures of the past to the boundless fluidity of the future.

"Luminousism: A New Era of Digital Light Art"

Embracing RGB: Redefining Digital Art as Light

Traditional painting relies on CMYK-based pigments, where colors blend subtractively, absorbing light to create form. For centuries, artists have strived to capture the elusive quality of light within these physical constraints. In contrast, digital screens operate with RGB—an additive system where colors combine to produce pure light. This fundamental shift is often overlooked, leaving much of digital art constrained by the aesthetics of traditional media.

My work redefines digital art by fully embracing RGB as a medium of light itself. Rather than mimicking physical techniques, I explore digital tools’ unique potential to shape light directly. My compositions are built from multiple layers of photographs, which I use as "paint with shape" to construct each piece. By blending and manipulating these layers, I achieve seamless color transitions and luminous depth that transcend traditional methods.

This approach transforms the screen from a static surface into an immersive space—where light flows, dissolves boundaries, and creates a sense of weightlessness. By unlocking the true potential of RGB, I push digital art beyond imitation into a new realm of expression. Freed from pigment-based constraints, my work harnesses the radiance of digital light, shaping visions that transcend the physical world.. We called this light creating method as Luminousism

Q1: Could you tell us about Yasuo Oda’s journey to becoming an artist?
A:
Yasuo Oda was born and raised in Tokyo, Japan, and moved to the United States as a Fulbright Scholar to study architecture. At the University of Pennsylvania, he specialized in architectural design and honed his artistic sensibility under the guidance of modern artist Robert Slutzky.
Over the course of a 30-year career as a successful architect, Oda developed a deep understanding of composition and spatial design, which he later applied to his artistic expression. This led him to transcend the boundaries of architecture and explore the realm of digital art, pioneering the unique style known as Luminousism.

Q2: What is the digital blending technique used in Oda’s work?
A:
The digital blending technique utilizes the three primary colors of light—RGB (red, green, blue)—to layer and combine colors. This approach allows colors to merge closer to the physical properties of light, unlike traditional painting methods using CMYK (cyan, magenta, yellow, black). As a result, it becomes easier to recreate the natural luminosity of light.

Oda's method involves layering up to 100 photographs, adjusting the reflective and absorptive properties of each image to create entirely new visual effects. However, this is not just a matter of stacking photos; it requires meticulous calculations and precise integration of light properties to craft a distinctive visual world. This technique demands a high level of skill and artistic intuition, making it a hallmark of Oda’s art.

Q3: Since brushes aren’t used, does that mean anyone can create similar works?
A:
The basic process of layering photos is accessible to anyone. However, elevating the technique to the level of fine art requires intuition and a keen aesthetic sense.

For example, when one image interacts with another, there are 27 options for modifying its influence. Applying this to 100 images creates approximately 1.37×10x143 Power possible combinations—an astronomically large number. For perspective, this is over 100 orders of magnitude greater than the estimated number of stars in the observable universe (approximately 10x22 Power. to 10x24 Power)

To identify the perfect balance among these nearly infinite possibilities, one needs more than just technical skill—deep artistic judgment and aesthetic sensibility are essential. Only through this refined process can Oda create his one-of-a-kind works that embody the essence of Luminarism.

Q4: Does Oda use AI in his digital art?
A:
Yes, AI plays a supportive role in Oda’s creative process, often offering critiques and providing fresh perspectives like a skilled art critic. However, Oda does not use generative AI (technology that creates images) to produce his works. Current generative AI lacks the precision and narrative depth required to match human creativity.

While Oda incorporates the latest technology in his workflow, the core decisions and artistic essence of his pieces remain grounded in his creativity and vision. AI serves as a complementary tool, but the heart of his work is always shaped by human hands and imagination.

Q5: How long does it take to create one of Oda’s works?
A:
The timeline varies depending on the piece. Digital art allows for adjustments and refinements, so Oda continually integrates the latest techniques to achieve the best results. Consequently, it is difficult to specify a fixed timeframe.

The extended process reflects his dedication to detail and exploration of the ideal composition. Iteration after iteration, this approach ensures the uniqueness and high quality of his works, often requiring considerable time and effort to complete.

Q6: What themes are embedded in Oda’s works?
A:
Every piece of Oda’s art is rooted in a story. For instance, the “Great Harmony” series illustrates a grand narrative spanning ancient spiritual civilizations, modern materialism, and a future return to spiritual harmony. Meanwhile, the “Beatles Series” translates the imagery and emotions of Beatles songs into visual form. In every case, a story precedes the artwork, serving as its foundation. The interplay of narrative and light makes Oda’s creations profoundly impactful.

Q7: What are Oda’s plans and upcoming projects?
A:
Oda is actively collaborating with museums and galleries to bring his art to a wider audience. Additionally, he is exploring exhibitions in public spaces like restaurants and hotels, making his works more accessible beyond traditional venues.

One of Oda’s most iconic works, “Imagine (528Hz),” exemplifies his art. This piece, part of the Beatles Series, conveys universal themes of peace and harmony through light and color. Currently, it is highly regarded among collectors and art investors, showcasing the distinctiveness of Oda’s artistic vision.

Oda plans to unveil “Imagine” alongside other Beatles-inspired pieces in a solo exhibition in New York. He hopes this exhibition will not only highlight the fusion of art and music but also attract the presence of Yoko Ono, whose connection to the Beatles adds symbolic significance. This ambitious project underscores Oda’s mission to share his unique narrative and artistry with the world.

Q8: How should viewers approach Oda’s works?
A:
Begin by observing how light and color interplay within each piece. The intricate layers of photographs create a distinctive depth and radiance.

Next, explore the underlying story embedded in the artwork. Whether reflecting on historical themes or drawing inspiration from music, Oda’s works invite viewers to interpret and connect with them personally. With their fusion of light, color, and narrative