"Penny Lane is in my ears and in my eyes…"
These words resonate across generations, carrying a sense of place that exists not just in geography, but in memory itself. This work captures that fleeting moment between presence and recollection—a scene that is both real and dissolving into light.

Memories do not preserve perfect forms. Over time, shapes deform, details fade, and only light remains as the last witness to time. Like an object glimpsed in near darkness, the mind must reconstruct what it sees. In "Penny Lane," the figures, street, and architecture do not exist as solid forms but as impressions—dissolving and reforming within the golden mist of recollection.

This work is guided by Luminousism, an approach that transcends realism through the interplay of light, weightlessness, and memory. Here, light does not merely illuminate; it replaces form itself, shaping what remains of a scene long past.

"Penny Lane" is not just a street in Liverpool; it is a passage through time, a song imprinted on the collective soul—forever glowing in the mind’s eye.